My second year at Paint Louis became a major milestone when I joined the CBS production alongside NVEST, ADEPT, DATSO, MANTA, TOX M, FOURENR, and KEYES. What started with me expecting to help on the background turned into painting my own character and ultimately being welcomed into CBS. Photo taken by @Darkmode.photo - Tony Moreno

An experimental collaboration between VNICE and JWorks Bodyshop exploring the intersection of automotive paint and fine art. What began as a prototype car door has since been exhibited at The Summit Club, Sample, and Combat Warriors, opening the door to future showroom, exhibition, and collector pieces.

A series of custom murals, painted graphics, vinyl, and signage created for Monarca: Cuisine Tequila Bar ahead of its opening. Using everything from laser leveling and detailed tape work to custom stencils and vinyl cutting, this project brought several parts of my practice together with one goal: clean, precise execution.

Created for a television production in Tulsa, Nuestra Comunidad features a Latina woman, hummingbird, flowers, and imagery designed for a Latin newspaper office set. The mural came together on a quick turnaround and was completed in a single day. More details about where it appears are coming soon.

Created for a residential pinball game room, this Frieren inspired mural brought together the main characters, a shapeshifter treasure box, mountain scenery, and a large dragon extending beyond the wall through forced perspective. Painted with aerosol and acrylic, the goal was to make the entire scene feel clean, cinematic, and immersive.

Organized at Maddog during the Route 66 Centennial weekend, this paint jam brought together writers and artists from Tulsa, Oklahoma City, and the surrounding area for a day of painting, music, and community. The event felt especially meaningful because Maddog is one of the places where I first had the freedom to experiment with murals and large scale work.

Created for Art House Tulsa’s Farewell Show, this perspective mural was designed to come together from one specific viewing point marked “Stand Here.” Featuring the Mona Lisa, chains, and a hollow throwie, the piece let me experiment with illusion and perspective during a smaller, more intimate show that brought Art House back to its roots.

Painted during Paint Louis in Kansas City, this piece brought together beveled Old English lettering, Chicano influence, and a lowrider placa feel. Collaborating alongside Tox-M and Manic while surrounded by so much talent made this one an inspiring experience from start to finish.

A custom aerosol logo and interior sign painted for JWorks Bodyshop in Tulsa. This project was an opportunity to bring the shop’s branding directly onto the wall and add a stronger visual identity to the workspace while supporting a fellow young business owner.

Invited back to Plaza Walls for the March 2026 Milk Crate Jam, I used the day to experiment with a new VNICE lettering style. The green piece featured a white outline and 3D effect, painted right in the middle of a day full of music, breakdancing, food, friends, and good energy.

Painted in Tulsa in March 2026, this aerosol piece combined gothic imagery with a local touch. A nun in black and white stands in front of “Tulsa” rendered in a western inspired style, while VNICE in red metalcore lettering cuts through the composition as the only burst of color.

A March 2026 trip to Los Angeles with Tox-M turned into two collaborative productions, new friendships, and another crew to call family. I painted alongside artists from CBS, PMK, and TGL, creating a levitating figure wrapped in VNICE thorns on one wall and a skeleton torso with metalcore lettering on Hoover Street before ending the trip back at Venice Beach.

What began as a mural grew into a transformation of the entire Morton Clinic exterior. Completed from November 2025 through February 2026, the building features community portraits, butterflies, sunflowers, medical imagery, and a ribbon carrying “Welcome” in multiple languages, creating a colorful environment designed to feel welcoming from every side.

Created for The Elevate Project in East Tulsa, this project combined mural work, branding, and custom signage. Using the organization’s colors, logo inspired tags, a Tulsa skyline, and local references, I helped bring their vision to life while contributing to a space serving young people in the same part of town where I grew up.

Painted on a shipping container in Chouteau, Oklahoma in February 2026, this project transformed a straightforward business advertisement into an illusion of the container being busted open to reveal the message underneath. The client brought the concept, and my job was to execute it cleanly at scale.

A trip to Los Angeles for Meeting of Styles became much more than another mural event. I painted a Greek warrior carrying a graffiti extinguisher alongside artists from around the world, became part of a new crew, and ended the trip painting “VENICE / VNICE” above the walls of Venice Beach. New walls, new friends, and another reminder of how far art can take you.

Painted at MadDog in November 2025, this piece featured VNICE in heavy metalcore inspired lettering with a chrome like, oil slick effect. Centered around a spiked skull with a spray can breaking from its forehead, the piece came together during a chill paint day alongside Ruhek, Zuawe, and Qumes.

For Tate McRae’s concert at the BOK Center, this custom vehicle featured a chrome inspired finish, her name, and actual seatbelts pulled from inside the car and incorporated into the design. Completed in one night, the finished piece was displayed outside the arena as an interactive photo op for the show.

Painted during an October 2025 trip to Tennessee with Zuawe and Qumes, Forged in Fire and Love combines a flame filled graffiti throw, a blade, and the Japanese word for “Love.” Set on a wall surrounded by trees, the piece brought together intensity, contrast, and the freedom of painting while traveling with friends.

I went to my first Paint Louis expecting to watch, not paint. Thanks to CBS crew, I ended up with space alongside them near the front of the wall and created a religious inspired portrait layered with metalcore lettering. No mockup, no expectations, just an opportunity to paint what I was feeling in the moment.